Balearic Breakfast | Episode 215 | A Beatlesesque Magical Mystery World of Swirling Psychedelic Patterns...

Colleen 'Cosmo' Murphy broadcast the 215th episode of Balearic Breakfast on her Mixcloud on March 11th 2025.

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About this episode. – After a few busy days (she played at La Discothèque at Manchester’s Albert Hall and hosted 2025's first annual London Loft Party), and with the passing of one of her dear friends (the gofundme campaign dedicated to Andy Williams is accessible here), Colleen came back and presented her 215th Balearic Breakfast show on Mixcloud. Since there was no request line this time, Colleen decided to play mainly new tunes during this episode! And boy was it great...

A few minutes after the show started, our friend dancing_james asked on the Mixcloud chat "Is it just me that imagines Colleen lives in a Beatlesesque Magical Mystery World of swirling psychedelic patterns?", a question which got an instant response from our Captain, saying "That's where I permanently live @dancing_james :) We missed you Sunday!"

As we shall see in the listening section of today's episode, James question was really resonnating with the shows's Soul, hence the title of today's post!

A Huge thank you to Rob, Iain, Kay, Aiko and Simon for sharing their London Loft pictures!

"This morning’s Balearic Breakfast is now up on my Mixcloud and it features a lot of new music including a song from Ron Trent‘s forthcoming album and also my new Cosmodelica remix of Saint Etienne Official I have so many new records and promos and I feel moving forward I’ll ensure I do one show a month that is a catch up of all the great new music coming out – it’s really my duty to do so. This show also features tributes to the late Roy Ayers and also to my late friend Andy ‘Yam Who’ Williams. May they both rest in paradise.

I’m heading to Japan next week but the show will continue thanks to my supportive husband Adam who will stream some pre-produced shows. In the upcoming weeks we have a mix from Kenneth Bager of MUSIC FOR DREAMS and we also have a chat about his new album with Findlay Brown ‘Silence Was Singing’. Saucy Lady also joins us on the show with a DJ mix and we have a chat about her new album ‘Love Fest’ which also features a collab with our friend Andy Yam Who?. And we have two Balearic Breakfast family guest mixes – one from Jen Ferguson and Glenn Williams of Hop Burns & Black and one from Darren Morgan of Love Machine and one of our London Loft family members. You’re in good hands!

Thank you for listening and please kick back and enjoy the music from… HELL YEAH recordings @michele_mininni Ubiquity Records @sonsofsevilla @cantomamusic @deliarecordings @brown_fang HEAVENLY RECORDINGS @tornadowallace Test Pressing @red_laser_records @msdivablu @randomhouseperson @londonafrobeatcollective @kikonavarrodj @canopy.records @tribalwinds @djkennydope"

Listen back to the 215th episode of Balearic Breakfast:

Note: On March, 12th 2025, the new https://www.loftparty.org/ website was launched, with a previously unheard 2000 Interview with David conducted by Chris Menist on the "Music is Love" page.

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PLAYLIST

(2024) Michele Minnini – Carousel of Tears

(2025) Brown Fang – Light No Fires

(2025) Tornado Wallace – Bitter Suite (Symphony)

(2025) Saint Etienne – Alone Together (Cosmodelica Remix)

(1972) Santana – Song of the Wind

(2025) Roy Ayers – Everybody (Random House Project)

(2004) Alison Crocket – U R (Yam Who? Rework)

(2024) Sons of Sevilla – Everything I'm Looking For

(1979) Roy Ayers – Love Will Bring Us Back Together

(2024) Il Bosco – Destiny

(1999) Funk Against Junk – Born Under Punches

(2024) Ron Trent – Just Another Love Song

(2010) Arthur Russell / Lola – Wax the Van (Yam Who?)

(2025) Cantoma – Some Other Stars (Cazela Remix)

(2025) London Afrobeat Collective – My Way (Kiko Navarro Discoterraneo Remix)

(2025) Unified Spirits – Meant to Be (Antonio Ocasio Remix)

(2005) Roy Ayers – Holiday (Kenny Dope Main Pass)

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THE LISTENING EXPERIENCE

Starting her set with the very kaleidoscopic Carousel of Tears, the main picture of today's show is set straight by our Captain. And, as James put it when speaking about Colleen, today's show is, indeed, a "Beatlesesque Magical Mystery World of Swirling Psychedelic Patterns..."!

Speaking of this track, Michele Minni shared: "It would be too presumptuous to claim to want to create the soundtrack of a hypothetical end of the world, yet I thought of nothing else but the end of a long journey during these 5 minutes, when ancestral memories, aspirations, and cosmic tensions mix, farewell tears and the nullification of time. Past and future no longer exist and become a cosmic and bucolic sonic orgy, imploding into a silent black hole that marks the end of everything. But now I wonder, is it really over?"

Oh how much I love listening to the songs during the show, having a feeling, pictures flowing in my brain, and then later realising that these subjective images do actually meet the musical and philosophical reality of each song played! This is something I've experienced so many times when listening to the show and it Always amazes me!!

The colourful and slightly psychedelic feeling will stay with us for the rest of today's show. Can't you feel the turning kaleidoscope on Light No Fires, and can you see yourself slowly drifting away? Once again, when reading the description of the Album on bandcamp, here is what you can find: “These pristine recollections are a means to delve into the soul of space; to link earth, tuning peg, ears and fern. To give emotional latitude for musicians dipping their toes into cartography. To put our locale under the magnifying glass in the form of a vibrational tonic. Take a listen to the lakeside sunset or the moon on the lagoon and nod to their computer rhythms. For, if you let them, these familiar ghosts will walk you down private roads and ferry you across algae-filled waters”. Trippy, don't you think, and Colleen's selections really put that voyage to the forefront in this episode, especially with the next number, Tornado Wallace's Bitter Suite (Symphony)! Colleen's delicate mixing really helps the track breathe into one another... A Wow Moment for sure as far as I'm concerned! And the Dynamics on that track are Huge! Soundwise, I feel this third track is somehow close to the show's opener.

Although Saint Etienne's Alone Together has a more direct and concrete musical approach, Alina Bzhezhinska's Harp playing adds that ethereal feeling we found in the first few tracks of this great episode! There's a lot of depth in Colleen's version, the mixing is astounding, it takes you away, and fits perfectly into the Beatlesesque feeling we spoke about a few minutes ago! With Santana's Song of the Wind, the never-ending swirling feeling just keeps on taking you away in its multicoloured musical frames... Did you realise these first tracks are closely linked to the Universe and to Nature?...

The body melts into the universe.

The universe melts into the soundless voice.

The sound melts into the all-shining light.

And the light enters the bosom of infinite joy

Did we say that Colleen is living in a Beatlesesque Magical Mystery World of Swirling Psychedelic Patterns, yes we did! Stepping up the rhythm a bit, Colleen then plays the ultimately revolving and never-ending Everybody (Random House Project). Despite the small silence, Colleen was able to keep the rhythmical flow, ensuring the listener kept on being lost in the music. Can't get better than that, Alison Crocket's U R (Yam Who? Rework), followed by the also mind freeing Sons of Sevilla's Everything I'm Looking For, opening up to the funky number that Love Will Bring Us Back Together is! Such a seamless transition there, my gosh, if this part doesn't free your mind...!

On the chat, some family members shared their memories with us, of meeting the great Roy Ayers. Our friend Davstod wrote "I met Roy at Ronnie Scott's in 1990 where I took a copy of 'Red Black and Green' for him to sign - he said in that unmistakable raspy voice 'hey kid, where did you get this from? Not seen this for years'... He couldn't believe a couple of teenage London kids (me and my friend) had some 70s vinyl..." Also, dancing_james shared the tribute that Patrick Forge wrote on his Facebook page:

The second hour of today's 215th episode keeps the mind-boggling feeling alive. Take the time to listen to the "space" in the songs, to the effects used, the reverb, you'll be lost in music too for sure!

Speaking of being lost, we all lost our minds on Wax the Van (Yam Who?), followed by the Italo-Disco number that Some Other Stars (Cazela Remix) is (despite being issued this very year, laughs!). I mean, Wow moment again! Speaking of Italo Disco, we also loved to bits Il Bosco's Destiny, which is an edit of Vivien Vee's Destiny.

Also, while searching about II Bosco's remix, I was intrigued by the sleeve of his record which reproduced a "Zero-Value Manifesto" which contained a text about AI and our organic nature, stating: "AI (language models) is the last step in the process started by humans of developing conscious thought (Logos in Greek). As humans we have valued that above our organic nature. We have identified ourselves with that thin self-conscious layer. AI is showing us that this is a mechanical process and it will be much better than us soon. We add zero value there! E.g. if an exam (school, university, etc) should be done without AI help otherwise it is cheating, then it means it is worthless. By definition, it focusses on useless skills. This was true also when you could not consult books during an exam, but this

is deeper. Traditional education will crumble as a consequence. This poses the question then: what is the value of the self-conscious surface ? What is left of us when we remove that ?

Solution:

Let's stop identifying ourselves with our self-conscious surface

Let's identify ourselves with our organic nature, the inside.

As quantum physics shows, the ultimate reality is relative.

Relations, not particles exist.

The particle-based, absolute time view of the word, is obsolete.

Our value is in the relations we form.

(Daniele Turi 2024)"

So I started digging the internet once again (🤣), and found Daniele Turi's blog, where he explains his idea in greater details, thus making me also think about today's show, about its intellectual and musical unity... Read the start of this analysis and make the link with Daniele's words... We need to connect to our deeper selves and meet the Beatlesesque Magical Mystery World of Swirling Psychedelic Patterns...

The moment we stop identifying ourselves solely with the rational mind, we begin to see something more profound. Beneath the thinking self, there’s a vast, interconnected process of life. It’s the breathing, pulsing rhythm of existence. We are not just the crest of the wave, but the whole ocean, inseparable from everything else. And here, we begin to glimpse what really matters. (Daniele Turi, On AI and what it is teaching us, 2024)

The last three songs also blew us away, including the incredible My Way (Kiko Navarro Discoterraneo Remix), with Colleen's mixing taking us to another realm (Siobhan Murphy then shared with us on the chat "Love it when Colleen goes in deep")... And we really should have a Balearic Breakfast show every day...

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COLLEEN'S PRESENTATION

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Michele Minnini, an Italian DJ and producer who started releasing singles just over a decade ago, and he now has a new album out on Hell Yeah! Recordings. It's called Pop Archetypes and we just heard the original version of his latest single Carousel of Tears and there's also a great remix from Gallo which is worth checking out. So head on over to the Hell Yeah! Bandcamp to discover more.

Good morning, Balearicans. I'm Colleen Cosmo Murphy hosting your weekly Balearic Breakfast until high noon, and greetings to the family over on my Mixcloud Live. It's great to see you up bright and early and thank you for sharing your Tuesday with me.

Well, I'm fully charged after a wonderful weekend of parties and then an acupuncture and massage session yesterday when you don't have a day off in a month. Self-care is, of course, of the utmost importance. On Saturday, I had a lot of fun up north in Manchester playing at the Albert Hall for the wonderful women behind La Discotheque and we celebrated International Women's Day in style. It was really great. We're hanging out with CC Disco, Errol Elkin, Hot Toddy of Crazy P, and Jim and Sevi of Horse Meat Disco and also Bessley. So a lovely lineup to be part of. And thanks to those of you who joined us.

And then on Sunday, we had our London Loft Party and oh my gosh, the vibes were through the roof. I just have to say our London Loft team is just a joy all around. I mean, the party was set up in just a few smooth hours and the whole team is just so positive and inclusive and I really just couldn't be happier. So thank you to the London Loft team and to all who joined us on the dance floor. The next date for your calendar is Sunday the 15th of June when we will celebrate our 22nd anniversary and invitations will be going out soon. So DM me if you want to join our mailing list. I should also announce a few more festival, club, and party dates. This weekend I'm playing at Southport Soul Weekender and that's always a lot of fun. And on Monday, I'm off to Japan for two weeks for a tour. So please follow me on my socials as I'll be posting up the details of that Japanese tour. On the 10th of April, I'm joining my friends Hands On Family at BBE for another shindig. And then in mid-April, I'm heading over to Ireland for Connelly's and Cork and Fidelity in Dublin. So I hope you can join me at some point somewhere. And if you are able to, please do say hello if you can.

Well, so far in 2025, we've lost some very special musicians and this week we pay tribute to two more. Roy Ayers and also to my friend Andy Williams who also went under the name Yam Who? Coming up in the show, we'll have a lot of new music also from artists including Ron Trent, Tornado Wallace, London Afrobeat Collective, Bosco, and I'm also going to share my new remix for Saint Etienne. And moving forward, I'm going to host at least one show a month featuring new releases as I feel like I'm seriously behind, you know, with the request shows. We'll keep that request line going, but I think we need to have at least one show where I can catch up on new releases. And also we of course have our guest mixes. But it's really a duty that I have to share in the music and I have to say I listen to something new that I've never heard of before almost every single day. So I want to share that as well. And this is one of those records. This is Nottingham instrumental duo Brown Fang. They're John Thompson who's played with Jim, Bent, Crazy P amongst others, and Torn Sale bassist and guitarist Henry Claude Scott. Last month they released a new album of Chilled Out, Ambient Vibes and that follows up their 2022 mini album Sherwood Pines. This new one is called Netherfield Lagoons and it's out now on dealer recordings. And it's an absolutely beautiful offering. I mean, the vinyl package is just gorgeous. And you can head over to their bandcamp to order it. This is Brown Fang with Light No Fires.

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II

A request from our friends Shelf Peltzner and Christchurch, New Zealand for one of my favorite bands Santana. We just heard Song of the Wind with a nice, you know, start, you know, I'm just still learning how to DJ. And that's from their fourth album, 1972's Caravanserai, which is an album that really showed the band's musical breadth as it was more of a jazz fusion direction. Also a new spiritual direction for Carlos Santana. It was produced by Carlos and the band's drummer and percussionist Michael Shreve. And if you're a fan of that kind of sound, also check out the solo albums by Michael Shreve and also Carlos Santana, who is one of my favorite guitarists of all time.

Ahead of that, that was my new remix of Saint Etienne, their song Alone Together.

It's a single from their latest album, The Night, which is a real chilled-out affair. It was released in December last year. And I was just so overjoyed to do this. You know, I was a huge fan of Fox Base Alpha when it came out, gosh, in 1991, was it? And on Heavenly Recordings, or was it 1990? I'm forgetting now. But I did interview the band. We did a great, great session for Classic Album Sunday and National Album Day at the British Library in October. And it was just so great to hear the stories behind it. And then they asked me to remix this single. And I had such a great time doing it. It's a real balearic affair. I brought in my friend Darren Morris of North Street West Studios. And also my friend, I brought in my friend the harpist Alina Bzhezhinska. And they brought a lot to the song, I think. It's coming out next month as a CD single, but that's already sold out. But I have some good news for you. It's going to be on my forthcoming Balearic Breakfast Vol. 4 compilation, which is coming out this summer.

Ahead of that, we had the Berlin-based Aussie Tornado Wallace with Bittersweet, his forthcoming single, and Appianto's test-pressing imprint. We heard the Ambient Symphony mix, but the other mixes are perfect for the dance floor, including Wallace's own original mix, and also a great remix from Rui da Silva. It's coming out in May, and I highly suggest you pre-order it from your favorite record shop, as test-pressing releases usually sell out very, very quickly.

Okay, sadly, Roy Ayres departed our planet for the next realm last Tuesday after a long illness. The vibraphonist, composer, and producer touched so many people's lives, including my own. I actually got to meet him around 15 years ago when he was rehearsing for an event at the ICA that my husband was putting together, and he was such a humble man. We totally bonded on being Virgos. At the age of five, the future godfather of neo-soul was given his first pair of vibe mallets by jazz legend Lionel Hampton. Ayres grew up in Los Angeles' South Park, which was the center of the Southern California black music scene, and even in high school, Roy was singing and playing in bands, and also producing fellow schoolmates like the late saxophonist Dexter Gordon. In 1963, he released his first solo album, West Coast Vibes, and in the early 1970s, he formed the pioneering jazz-funk outfit Ubiquity, and they released a string of game-changing albums, including Mystic Voyage, which features dancefloor burner Evolution, which sounded great at our London loft party on Sunday.

Ayres also founded R.A.M.P., Roy Ayres Musical Productions, and they released one album, Come Into Knowledge, and then Ayres had his biggest hit with Running Away, and of course, there's Everybody Loves the Sunshine, and that's one of the songs he's most remembered for, and both records sounded great on Sunday at the loft. He collaborated with a lot of people. He toured with Fela Kuti, produced Sylvia Stripland, collabed with Rick James, and he's also on Jelly Bean's mix of Whitney Houston's Love Will Save the Day. First, we'll pay tribute with something that's a little different, as it's not a Roy Ayres original, but a rework by Random House Project that he sent me this week, which I thought you would like. It's a great chugger, and we'll play some Roy Ayres originals later in the show.

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III

I can hardly hear myself there. Roy Ayres, Love Will Bring Us Back Together, and that's from his 1979 LP Fever, and that's Bernard Purdy on the drums there. Last week, Roy Ayres passed to the next round at the age of 84, and gosh, what a stunning career he had. As we said earlier, he was a pioneer of jazz funk, but he also worked with artists from younger generations, like Erykah Badu. He's on Mama's Gun. He worked with Guru. He's on Jazzmatazz, and he also collaborated with house legends, and I have something on that tip coming up later in the show. Rest in Paradise, Roy Ayres.

Ahead of that, we had Everything I'm Looking For from Sons of Sevilla's album, Lullabies for a Wild Cat, and that was released on San Francisco label Ubiquity at the tail end of last year. The duo of the Smiths brothers are from Northern England, but now live in, you guessed it, southern Spain. In fact, one of them, I think, played for Seville's football team. In any case, they started the project during the 2020 lockdown, and they were inspired by J.J. Cale and the sounds of music emanating from their parents' family pub, and this album is a result of their efforts, and if you're a fan of bands like War on Drugs, I highly recommend you check out Sons of Sevilla's whole album. It's a bit more balearic and less rocky than War on Drugs, but I'm sure you get the idea.

Ahead of that, we had the Yam who? rework of Alison Crockett's You Are, and I play this for a couple of reasons. First, Alison Crockett was the first singer I worked with as a producer on my debut single, Loneliness, which was released on Suburban in 1998, and I just love her and also her voice, and secondly, it's my late friend Andy Williams' rework. He did it as a Yam Who? rework, and I first met Andy when I moved to the UK back in 1999, as we were both working with the record label Newphonic. He, with his live band Fuzz Against Junk, and I was co-producing the Loft compilations with David Mancuso. I also regularly saw Andy over at Reckless Records in Soho, as like many of the best producers and DJs, he worked in a record shop for a stint. I started working with Andy in the studio when Ashley Beedle and I were doing our Darkstar Disco Tech productions, and then later I produced some of my Cosmodelica remixes with him, including one of my favorites, Mother Mother by Fat Freddy's Drop.

Andy was also behind the record label Midnight Riot, and he did loads of reworks and re-edits as Yam Who? He was also quietly behind many other productions and worked with other songwriters and artists, some of whom I didn't even know until the tribute started pouring out last week when his sudden passing was announced. The night before his passing, I was actually talking about him in an interview with Saucy Lady for the show that's coming up in a couple weeks. As Andy is on her new album, they actually did a duet together. It was really lovely to hear his voice. Little did we know that hours later, he would no longer be with us. He's sorely grieved by our new disco and deep house community, and I want to send huge love to his family and to his nearest and dearest friends, and we'll have some more from Andy later in the show.

Okay, now a great rework from Manchester DJ and producer Bosco, née Christian Wood. These tracks were unearthed during his many trips to Italy and have since been refined for the club. Now, I have no idea what the original is. I've shazammed away to no avail, so if you know, let me know please. This came out on the vinyl EP Please, No More Edits... From The Manctalo Disco! on his own label Red Laser last year. This is Il Bosco with Destiny on Balearic Breakfast.

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IV

Phil Mison's Cantoma project with Some Other Stars, the Cazela remix, and I had Phil up on the show back in January. He gave us an exclusive mix, and we had a chat about his latest Cantoma album, Sea and the Sun, so you can check that one out as well. Just a really good mix there from Cazela.

Ahead of that, the 2014 rework of Lola's Wax the Van by my friend, the late Andy Williams, Yam Who?, and I just absolutely adore that mix, and I have to say, doing a rework of that song is a really tall order for me because the first song I ever played with David Mancuso at his loft party, which was like over 30 years ago, was the John's dub mix on the original 1987 Lola 12-inch, so I really have strong ties to it, and generally when I'm really attached to a song, I don't want to hear a rework. I don't want to hear a remix. I even turn down reworks and remixes by songs that I'm so tied to, but Yam Who's remix really does it for me, and I've played it countless times, and sadly today playing it as a tribute to an old friend.

Ahead of that, we had Ron Trent with Just Another Love Song, and that is from his forthcoming album Lift Off. It's coming out in May, and you can pre-order the vinyl on Ron Trent's Bandcamp. Now, for the last five years, Ron has mainly DJed in the States. Of course, he had his live show with his live project Warm at We Out Here, and we had Ron up on the show to talk all about that when the album What Do the Stars Say to You came out in 2022, and he's DJed a few times in the UK. Southport Weekender last year was great. He had a memorable set in the Bowl at We Out Here, and I just caught him actually a couple weeks ago over at Groove Odyssey at Fabric, and that was great. He sounded fantastic. I really love his kind of deep, rhythmic sound. In any case, he's called the album Lift Off because he's going to celebrate international touring again, so good luck to Ron Trent, and I love that song. There's some other great stuff on there, too. There's Street Wave, which I remember he played at the Bowl, and I was like, what is this song? And it's coming out on vinyl in May, so I'm really excited about that.

Ahead of that, we had Fuzz Against Junk with their second single on New Phonic after their debut in 1998 with Country Clonk. Fuzz Against Junk was Andy Yim Hu and with Gordon Smith, with whom he also did Striker with Tony Rosano and Crispin J Glover, and we heard Fuzz Against Junk's cover of Talking Heads, Born Under Punches, and rest in peace, Andy Williams.

Okay, this next one is a eight-piece live band called London Afrobeat Collective, and this is the song My Way. It's the third in a string of singles which have showcased reimaginings of songs from the band's fourth studio album, Asengo. Other remixes have been by and Patchworks, and this latest remixer is Mallorca's Kiko Navarro, who's had a great project called Afro Terranio, which you should check out. This came out last month on Samu Sui's label Canopy Records, and you can find it on Bandcamp.

Everyone was loving this on Sunday. It sounded so good. It's a remix by my friend Antonio Ocasio from Tribal Winds. He gave me a test pressing when I was last in New York, and I messaged him and said, God, the sonics on this are just absolutely amazing. So many people asked about it on Sunday. It's Unified Spirits, meant to be, as remixed by my friend Antonio Ocasio, who started putting out his own productions on his own imprint, Tribal Winds, gosh, nearly 30 years ago, and then over at Dance Tracks, and he used to come in with all of his daughters. I can't remember. He had so many of them, all girls. It's really funny. Anyways, thank you to Antonio for that, because it's just a beautiful, beautiful record. Ahead of that, we had the London Afrobeat Collective, My Way, and we heard the Kiko Navarro Disco Terranio remix, and you can find that on Canopy Records Bandcamp.

Well, this is Colleen Cosmo Murphy getting ready to sign off. This is the last live show of the month, because I am heading to Japan on Monday for a two-week tour. Again, all my gigs will go up on the socials. I will be announcing that this week, but the show will continue while I'm in Japan. My husband Adam is going to stream for us, so I'm going to pre-produce a bunch of shows for you. Next week, we have an interview with Kenneth Beyer and an exclusive mix. We talk about his new album with Finlay Brown, Silence With Singing, and we also have a mix and interview with Saucy Lady the following week. We talk about her new album, Love Fest, which also features a collaboration with my friend, the late Andy Williams. The Boston DJ and producer's new LP has a lot of other collaborations, too. We recorded the interview only hours before his passing, so it was really strange and really sad. We also have some guest mixes from members of our Balearic Breakfast family, including Jen Ferguson and Glenn Williams of Hot Burns Black, and also Darren Morgan of Love Machine and also a London Loft team member. We will keep streaming, and Adam's going to help me out on this one, because I don't know what time it's going to be over in Japan. I don't know what's going to be happening in my life at that time. So the show will continue.

We have one final tribute to the late Roy Ayers. This next one is by request from our friend Bert Francois in Brooklyn. In the 1990s, I was saying that Roy Ayers started collaborating with house producers like Kerry Chandler, and he also collaborated with Masters at Work or New Reconsole. This one was released 20 years ago on a compilation called Roy Ayers' Virgin Ubiquity Remix. There's lots of great remixes like King Brit, Phil Asher, Ocean Lotte, Pepe Braddock, but the one we're listening to right now is Kenny Dope's. It's Roy Ayers' Holiday, the Kenny Dope main pass. Thanks for listening and rest in paradise, Roy Ayers.