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Colleen 'Cosmo' Murphy broadcast the 246th episode of Balearic Breakfast on her Mixcloud on November 11th 2025. ABOUT THIS EPISODE To say the world is not turning round lately would be an euphemism. From AI changing billions of lives with people losing their jobs, to political unrest (with Donald Trump openly criticising New York City Mayor-elect Mamdani calling him a communist and questioning his impact on the city’s infrastructure plans ), not forgetting wars taking place all around the world, it seems we're not getting peace anywhere soon. And this is heartbreaking. Today's show had a strong imagery attached to is very soul: there's a worrying wind blowing somewhere in the distance, and you can hear it in a lot of the songs played by Colleen... The Family gathered on the chat as always and we all chatted somehow hapilly, thinking about doing an online "meet and greet" event which would allow the Balearic Breakfast Family to hang out during a live stream – possibly organised by our captain – or launching a mixcloud channel dedicated to mixes crafted by members of the family. Even if for the time being nothing has been officially decided yet, it is the frist time this year that I felt the Family coming together so strongly and it really warmed my heart. We also discussed some DJing topics, exchanging views about new ways of playing music, using tools like rekorbox or new DJ controllers. In any case, this show has that worried yet hopeful soul, the one you can feel when the weather is changing in autumn, slowly making way to winter... This morning’s Balearic Breakfast is now archived on my Mixcloud and mainly features your requests, some snazzy reworks, and a couple of songs by artists of Native American descent. November is Native American Heritage Month (established 35 years ago, surprisingly by President George Bush). As a child of the 1970’s I feel grossly inadequate when it comes to the history and plight of the tribal nations and it’s something I endeavour to work on. Here are some docs that are well worth watching: ‘Lakota Nation vs. United States’, ‘Sugarcane’, ‘Yintah’ and ‘Sitting Bull’. If you have ideas for other Balearic Breakfast songs in celebration of Native American Heritage Month (like Redbone or Elisapie Isaac), please DM me. There was also a request for ‘For What It’s Worth’ which brought for a flood of tears when I played it this morning - it really seems to resonate with the times. Thank you Balearicans for your heartfelt song suggestions. The Request Line will go up on my socials this weekend and as always I look forward to discovering music with you. Thanks for being part of the family. Listen back to the 246th episode of Balearic Breakfast: THE PLAYLIST ( TBR ) Shreyas Murali – The Hidden Garden ( 1994 ) Richie Havens  – The Hawk ( 1966 ) Buffalo Springfield  – For What It's Worth ( 1972 ) Joy Of Cooking  – Beginning Tomorrow ( 1978 ) Keith Barrow  – You Know You Want to Be Loved ( 1978 ) O.V. Wright  – Let's Straighten It Out ( 2025 ) Kudda & Friends  – That It Is ( 2025 ) Young Gun Silver Fox  – Burning Daylight ( 2017 ) Flo Morrissey & Matthew E. White  – Grease ( TBR ) Billie Eillish  – Birds of a Feather (Kenneth Bager Edit) ( 2025 ) Dimitri from Paris vx Charobaron  – Chez La Baronne (Le Fouet Version) ( 2025 ) Talking Heads  – I Zimbra (Random House Project Disco Rework) ( TBR ) John Grant  – Black Belt (Ben Gomori's Blue Belt Edit) ( 2023 ) Francois K  – Hypnodelic ( 1979 ) Bunny Mack  – Let Me Love You ( 1978 ) Nana Love  – I'm in Love ( 2010 ) Hosanna Littlebird  – Can Love Again (Jovonn Next Moov Club Mix) ( 2021 ) Saint Etienne  – Cool Kids of Death (Underworld Remix) ABOUT THE SONGS (from Colleen's presentation)

Colleen 'Cosmo' Murphy broadcast the 245th episode of Balearic Breakfast on her Mixcloud on November 04th 2025. ABOUT THIS EPISODE I've been really deeply affected by Christina's passing. It made me think about a lot of things, the connexion you can make with people thanks to music, the interviews I do here and of course how much Colleen's body of work made this all happen. I always thought it would be nice to share people's views on music, share their stories. In today's age of "quick stardom", I felt We, as music lovers, We also had beautiful stories to share. So when I launched this blog it felt just so natural to involve everyone from the Family. When Colleen started to share Family member's mixes, it only enhanced my willingness to keep on interviewing you, dear Friends. And I must admit, Christina was a perfect example of what I wanted to do. Both her mix and the way she answered to my humble questions showed how much you don't need to be a well-known dj, or musician, or composer, to be able to share meaningful information about Music (and, actually, she was also the first one who accepted to do an interview on the blog a few weeks after I launched it...). Her passing also enhanced that recent idea of mine that listening is an act of love because when you listen to someone's mix for instance, when you listen to an album, you indirectly give your time to that person, you somehow fly with her on her musical journey, you let go your own boundaries... And even if you may not like everything that you hear, it still, somehow, somewhere, resonates deep down your soul... And somehow you keep something from that person within you through music... Many of us knew Christina personally, some of us didn't, but still, thanks to the music she shared during Colleen's show, she touched us. And for that, she will be forever remembered by the Balearic Breakfast Family... This morning’s Balearic Breakfast is now up on my Mixcloud and is mainly a request show. Thanks to all who joined me on the stream and who made requests over the weekend. There were so many great song suggestions which will be continued on next week’s programme. We also pay tribute to one of our beloved Balearic Breakfast family members Christina DeSouza, or Tee as she is known to her friends. We recently discovered she had transitioned to the next realm earlier this year and Bert and Artur both made dedications to our late beloved soul girl, may she rest in musical paradise. For each show I research the artists and songs and when I looked into special remix of Razzy Bailey’s ‘I Hate Hate’ that Jose Padilla put on one of his Sunset Hours compilations, AI got involved and responded, “I understand that you are expressing strong negative feelings against Razzy Bailey and Jose Padillla.” And yesterday my husband did a search to see if the recent feature interview I did with Disco Pogo was up online and AI informed him that I co-founded the magazine with editor Jim Butler. It’s hilarious but also scary as AI is mining my shows and millions of other radio hosts’ shows – all of our collective millions of years of experience – both the human successes and the human failures. Are we okay with putting our lives into the hands of AI? There are plusses and minuses but honestly, if its getting it so wrong we should proceed with caution. That’s my deep thought of the day. Or the week. Thanks for listening and I hope to see you on the Mixcloud Live chat on Tuesday morning for next week’s Balearic Breakfast. Listen back to the 245th episode of Balearic Breakfast: THE PLAYLIST ( 2025 ) Simon Armitage – Dear Pink Floyd ( 2019 ) Jazzanova ft. José James   – Little Bird ( 2020 ) Khruangbin   – Summer Madness ( 2025 ) Max Sinal & King Crowney ft Liv East   – Intentions (Live Mix) ( 2018 ) The Knocks ft Sofi Tukker   – Brazilian Soul ( 1994 ) Dee C Lee   – Things Will Be Sweeter ( 1986 ) Viola Wills   – Dare to Dream ( 1983 ) Will Powers   – Smile ( 2025 ) Barry White   – Its Ecstasy When You Lay Down Next to Me (Sgt Slick ReCut) ( 1986 ) BB&Q Band   – Dreamer (Shep Pettibone Extended Mix) ( 1976 ) Brick   – Dazz ( NOL ) Michael Chapman   – Lescudjack (Ilya Santana Edit) ( 2012 ) Razzy Bailey   – I Hate Hate (Santiga Remix) ( 1979 ) Skatt Brothers   – Walk the Night ( 2025 ) Leonidas   – Spectral Portal ( TBR ) Patrick Gibin   – Let it Go ( Joaquin's Sacred Rhythm Music Dance Version ) ( 2025 ) Brutha Basil & Cee EIassaad   – Who Are You ( 2025 ) Mark Barrott   – When Devils Become Gods ABOUT THE SONGS (from Colleen's presentation) UK Poet Laureate Simon Armitage with Dear Pink Floyd and I think that's the best record review I've ever heard. It was a poem he wrote in celebration of the album Wish You Were Here , currently celebrating its 50th anniversary and which had a profound impact upon the poet and upon so many. You can hear just how widespread the acclaim is for that album or for the band as well. I mean, seeing people in t-shirts on the Amazon and on the River Ganges, I mean, they are just such an important band. Actually, also the inspiration behind Classic Album Sundays , one of the inspirations behind Classic Album Sundays as well. The album is celebrating its 50th anniversary and the band asked Simon Armitage to write a piece about the record and he conjured that sprawling, unpunctuated tribute that's really like a fan letter. He described it to the Guardian as "a time capsule treasure chest message and a bottle tied to a lifebuoy thrown on a life raft from a ghost ship while imagining the band playing in the hanging gardens of Babylon and in the Mariana Trench" , a description only a poet could come up with. Thank you to Rob Calcutt for that request. (...) (...) A lovely request from Johnny Barrett for a voice that just makes me melt. The American jazz soul singer José James . He's had albums on Giles Peterson's Brownswood label . He's also collaborated with Nicola Conte and Goldie , and more other collaborators like one on this song. It's something he wrote that was produced by the Berlin collective Jazzanova and featured on their 2011 compilation Upside Down, the song Little Bird . A cover of Kool and the Gang's Summer Madness by Khruangbin , which they recorded as an exclusive for their Late Night Tales compilation . And the Texan trio are currently touring last year's album, A La Sala . And earlier this year, they were nominated for a Grammy for Best New Artist. And I think that just kind of goes to show you that the Grammys are a bit behind the times as the band got together 15 years ago. You know, but hey-ho. That was requested by Shelton Kirk in New York City. Max Sinal & King Crowney featuring Liv East with Intentions , the live mix. And that came out this summer on the label that Sinal co-founded. Soul Quest Records has a lot of great dancefloor mixes, including ones by JT Donaldson . But I thought that live mix with Best Super Balearic Breakfast and thank you to Rick Van Veen in the Netherlands for that suggestion. The Knocks featuring Sofi Tukker with Brazilian Soul featuring another New York City duo, actually Megasaur's Sofi Tukker. And the Knocks have released three albums and they collaborate with a lot of different pop, indie dance artists like Purple Disco Machine and Foster the People . And most importantly, they got their name from people knocking on the door, asking them to turn the music down! Balearic Breakfast has been going for just over five years now. And at the heart of it is a vibrant and caring community that is linked together through the power and the love of music. Friendships have been made from the Mixcloud live chat, a lot of people over there right now, via the Balearic Breakfast community blog that Artur puts together and also the request line on my socials. And often when I'm away, I ask Balearic Breakfast family members to put together guest mix. And I just love how everyone supports one another. One person who gave us a mix a while back is Christina De Souza , who is known as Tee to her friends. And we hadn't seen her on the request line or the live chat for a while. And Bert Francois discovered that there was a new note on her Mixcloud page from her friend Laura, who said, "I'm a close friend of Christina's and I'm so sorry to inform you that earlier this year, following a short period of illness, Tee passed away. As you can imagine, we all remain truly devastated. T was a wonderful, sweet person loved dearly by her partner, family and friends. There was never a time when you visited Tee without music playing. She also loved to share music. So as a small tribute, we thought it would be a good idea to keep this page open and to make all the posts she had created over the years accessible." Christina was a soul girl and Bert exchanged songs and built a friendship and Artur also interviewed her for the Balearic Breakfast community blog. And they have each put together some songs for Christina in this short tribute. The first one, a song that was on one of Christina's Mixcloud mixes. And it's from Bert who wishes her a belated peaceful transition. Dee C Lee with Things Will Be Sweeter . Will Powers , the stage name of celeb photographer Lynn Goldsmith , who put out one album, the 1985 self-help comedy album called Dancing for Mental Health , which spawned the cult club track Adventures in Success . And we just heard the first single from that album, Smile , requested by Artur, who hosts the Balearic Breakfast community blog. And he interviewed Christina D'Souza, our late Balearic Breakfast family member, when she did a guest mix for the show. And of that song, she said "it's very me. It doesn't take itself too seriously. I love the LP Dancing for Mental Health. It starts with a groove and it's so very clever and it still holds up today." The late American R&B singer Viola Wills with Dare to Dream , the title track and lead single from her 1986 LP . And that was also a request from Bert Francois, who said he rediscovered this track off of Christina DeSouza's track list. He also says it's for the immigrants and all those who suffered during Hurricane Melissa's wrath in the Caribbean.   When I was in New York City, I got to meet another Balearic Breakfast family member, Barry Zehr , or Barry Berenitz, who came up from Washington, D.C. And he brought me a lovely cowl in some of my favorite colors in which he knitted. Very soft and lovely and perfect for the weather. So thank you, Barry. He also requested a song by another Barry. And he also may be considered a bit soft and lovely, the late Barry White , with a fantastic rework by Sergent Slick of one of White's best known 70s songs, It's Ecstasy When You Lay Down Next to Me (Ed. Note: see also here ) on Balearic Breakfast. The Shep Pettibone remix of Dreamer , the 1986 single by the BB&Q Band , which stands for Brooklyn, Bronx and Queens. And they released a number of great post-disco singles in the 80s, including my favorite, On The Beat . I used to dance to that at the Gazebo too. And thank you to Ab Von Haren for that request. Atlanta, Georgia funk outfit, Brick , with their 1976 classic from their debut album, Good High , very 70s title. I used to love to dance to that song, Dazz , at the underage disco, The Gazebo, located on Glamorous Route 9 in Framingham, Massachusetts. And thank you to London House Music Works for that one. Canary Island DJ and producer Elia Santana 's rework of Lescudjack by the late British singer, songwriter, guitarist Michael Chapman , who was acclaimed for his albums on Harvest (Ed. Note: Rainmaker - 1969 / Fully Qualified Survivor - 1970 / Window - 1970 Wrecked Again - 1971 ) and had a very long career. Chapman was also a roadie for the late contemporary composer John Cage . And he said "Cage did a recital at Leeds Art Gallery. I took him to the market to buy fish to put in his piano." So there you go. Lescudjack was also played by Italian DJ Daniele Baldelli and was reissued by Emotional Rescue Label with a remix by Lex. And it's derived from the Celtic word for shielded stronghold . And there's also Les Skudjuk Hill Fort , an Iron Age settlement in Cornwall. So there's a little history lesson for you today. And thank you to Matt Raistrick for that request. Well, as we witness the world become more polarized with governments and their billionaire friends trying to divide us and make us hate one another, and make us hate on small, vulnerable groups like our trans friends and immigrants, I'm not going to allow that to happen. This next request is a breath of fresh air. And thank you to Simon Ellis for suggesting it. It was featured on a Sunset Hours compilation by the late Cafe Del Mar DJ, Jose Padilla , and given a rework by Santiga . It's Razzy Bailey , the late American country singer-songwriter, with the Santiga remix of I Hate Hate . A Los Angeles band called Skatt Brothers that was put together by Sean Delaney , who also put together Kiss , and who also signed the band to Casablanca Records with Walk the Night . And that was their biggest song, and my friend David Mancuso used to play it, especially around Halloween. And it was my opening song at Pikes . And thanks to Smudge, who was there dancing on the floor, and he requested it for today's show. You know, it is past Halloween now, but it's Sky Fork's night tomorrow night, bonfire night here in the UK, so many of us will still be walking the night. UK producer Leonidas with Spectral Portal from his long-awaited second solo EP, Flying Saucers, now out on Hobbs Music. And as you can probably tell from the sounds, it's an exploration of cosmic dancing, the extraterrestrial, the interstellar, and the sci-fi. And Leonidas is one half of Leonidas & Hobbes , who we've played on the show before. And the Flying Saucers EP was released on Halloween on Bandcamp. And thanks to my favorite Irishman in Sydney, Australia, Bobby Connell, for that request. Okay, this next one I'm sending out to Tomohiro Yamada in Osaka, Japan, as he requested a Joe Clausell remix, which is impossible to find, as it was only on vinyl, and I don't have it. But this one landed in my inbox last week, and it's a forthcoming remix by Joe. A remix of Italian DJ and producer Patrick Gibin, who last year released his debut album, Strength in Numbers , on his own label, Mother Tongue Records. And it has some collaborations with Kydie Tatum, who I absolutely love, including this song called Let It Go . And Joe has a bunch of forthcoming remixes, including this one. It's called Joaquin's Sacred Rhythm Music Dance Version on Baleric Breakfast.   Who are you? Brutha Basil & Cee EIassaad . And Basil is a New York City DJ who I used to love to go here play. I think I even had him up in my Club 89 radio show back in the day. And here he is on Vox with the producer I've just discovered and am loving and who I also played a couple of weeks ago, Cee EIassaad , a producer and DJ from Morocco. Who are you? is a request from me. I believe it just came out. You can find it on Bandcamp. And that's my only request on today's show. I'm leaving you with one more request from Ana Sancho in Barcelona for Mark Barrott , who is currently moving back to Ibiza, probably vacated for the summer. Very wise idea. So nice right now in October, I have to say it is making me think a little trip there in the winter might be very, very, very good way to kind of get some vitamin D in without all the crowds and everything. In any case, Mark and Pete Gooding released the fifth edition, Volumen Cinco, of their Hostel a Torre compilations , and they're all incredible. And this next one is one of his own productions. It's Mark Barrott with When Devils Become Gods . Thanks for listening. Gracias por escuchar.

It often takes one song to get hooked on a new band! This is exactly what happened to me with WOTD. I asked the band members to telll us more about their journey. 1) Hello! Thank you for joining us here on the Balearic Breakfast blog! I always wondered if the band's name was directly inspired by the 2011 documentary dedicated to club culture! Can you take us through the birth of WotD? Hi, thanks for having us on your platform amongst the beautiful people and music. Back in 2011, I moved back home to Ireland after 15 years in England where I promoted several nights and DJ'd across the globe on the Nu School Breaks scene. I'd sort of had enough and felt burnt out and had a very unhealthy drug addiction, so I thankfully made the wise decision to return home to Ireland and call time on my music career.  From 2011 til late 2014 I didn't even listen to the radio, let alone any music that I was into, and spent that time working on myself. By November 2014 I started to feel a calling back into music so I went right back to my first love in electronic music which was trip hop.  I laid down a bit of a groove and sent it to my good friend Sean in Coventry. He thought it was great and added a little to it. Around this time, I'd came across the guys The Brothers Nylon on Youtube, Mike and Nick – twins from NY – who were multi instrumentalists and all about the jazz and weird and wonderful. So I fired them off an email and we got chatting. They went onto put a 9 part bass clarinet harmony on the track along with loads more. We did a few other tracks and, all of a sudden, had an EP of 3 tracks ( The Future is Ours ). I myself am a massive fan of the Warriors movie and Sean's a massive Dystopia movie fan so Sean came up with a play on Discotheque with Dystotheque. I went on to send the EP to BBC Radio 1 and my local BBC station, and, one monday night, I received a call from the presenters live on air asking was it a clarinet in the track, which was pretty crazy!  The following Sunday, R1 played a track from it. We went about another EP, Return To Coney which got picked up and played across BBC 6 Music by several different DJ's that month. So we decided to carry on as we thought we accidentally stumbled onto something and they've been supporting everything we've done for over a decade, and had us on the show to do a guest mix for the album release, and all this love has brought us to the attention of the lovely Colleen.  2) Your music has been played several times during the show, I especially loved the Hashish Dreams beatless mix that opened a recent episode of Balearic Breakfast! How was that version conceived?  Firstly, we're truly blown away but the love from Colleen and the listeners! So after playing at Cafe del mar at sunset, which was something I'd always wanted to do, Chris Coco heard the tune I played at Sunset On The Balcony at Sunrise and signed it to his DSPPR label. We chatted about another release and then decided on an album.  So we started getting some idea down, up till this point so 2014 - 2022  everything so 10 EPs and an album had all been done online, with us sharing music across the world via the net, and I'd never returned to england since i left in 2011. I jumped on a plane and went to stay with Sean for a weeknd and we came up with Korean Frequency and Hashish Dreams . Upon returning to Ireland I sent it to my friend Stevie (Deep Division) who added a few parts before it went to Florida (Mike and Nick relocated). They added strings and some extra keys and it was completed and was the next EP and on the It's A Beautiful Thing album. We decided to do a beatless version for sunsets and those quiet moments for the summer, which just brings out the real beauty in it.  3) "Gone Sailing" on which you worked with Balaphonic, takes us right to the heart of the Balearic Spirit with a relaxed and very open minded musical trip. When working on it, did you try to keep a "Balearic" sonic signature or is it something you don't really think about, letting the song, on the contrary, be what it has to be?  I'd always wanted to work with Danny / Moodymanc and we chatted for a few years about it, way before even Balaphonic was a thing, but we never had the right track. I'm a big fan of that guitar sound of Yacht rock, and just that breezy sonic feel of the live percussion Balaphonic brought to the track. It actually started out as the North version that you can hear on the EP, 3 different takes all with different lead guitar and percussion and a  trademark Chris Coco dub. It was a live studio sound more rocking that the East, & West versions which we slowed down. We just went with what was coming out of the sessions,  we didn't and never set out to fit into that "Generic Balearic" sound ever, but it feels right with what sounds good I guess, we're not too worried about fitting in really as we write for ourselves and always have. 4) Although keeping a "Balearic" Feel, your last issue, Everything's Fine with Delta 9, has a much more tense feeling both in the musical structure and in the sonics of the two tracks which sadly could not make the cut on your latest album, surely for technical reasons as the time is counted on this beloved format! How do you guys work on the 'flow' of an album? So usually we just write it and what makes the album makes the album with no journey, story or concept, and it's just our music. But for this album on DSPPR, I sat down with Chris and we decided to make it sonically more together and flowing more. Sean, new Warrior Kevin and myself laid down 9 tracks and I was about to send them off to Florida, but I decided ya know what i'm gonna jump on a plane and get out to Florida and meet Mike & Nick and do the overdubs in the studio. Who doesn't want to be in Florida in March and meet the rest of the band and maybe come up with some magic out there? We got through the 9 tracks quickly and then did 3 more for the album and also 6 more got started. When I got home to Dublin airport it was snowing and minus 2, so it was the right call as it was obviously warmer, and I had loads of music on my return. After weeks of listening and changing the running order between Chris Coco & myself, Delta 9 and Ghostship on the Foyle didn't fit sonically on the album and, also, we wanted to press it to vinyl so we were restricted to running time. But both were ace vibes so we released them in May before the summer started, as they defo didn't have that summer feel although everythings balearic right. 5) Last but not least, what's coming next for Warriors of the Dystotheque? We've decided off the back of Gone Sailing  that we're gonna start album 4, the second for DSPPR and Danny / Balaphonic is onboard with his vast array of percussion and ideas so we're literally just starting this now, and have not set time to finish or ideas of dates for the next single. But I'm sure we will be back on the release radar before the summer next year. And then there's the new WotD - It's A Beautiful Thing Radio show starting at the end of the month from Starr Radio in Belfast, as well as DJ performances going forward.  Oh and if that's not busy enough I've started a new project L.A. DYSTO alongside Steven Reid, Shay Whelan and the frontman Theo Suess on a more 4/4 groove but down in the slower and sleazier BPM's from 100 - 118! So a fun filled future for everything DYSTO! WOTD on Instagram / Facebook WOTD on Bandcamp L.A. DYSTO on Instagram

Find out who's behind Balearic Breakfast: this page presents the people who run the show, the ones who particpated in its creation, also including yours truly, who writes the blog's posts. Credits Home Musical Director, Curator, DJ : Colleen 'Cosmo' Murphy Visual Effects, Technical Support : Adam Dewhurst Show Entitling & Logo design : Lee Zee Requests : The Balearic Breakfast Family Worldwide FM Team : Simon Goffe, Gilles Peterson Sam Stewart, Pedro Montenegro Streaming Platforms : Mixcloud, Twitch TV 'Balearic Breakfast' Artwork : Ar dneks Blog Design : Inspired by Ardneks ' & Lee Zee's original designs Pictures : Pexels.com Website Hosting : W ix Original Blog' s T exts : Artur The Lion cub This website is dedicated to the memory of our dearest Friend, David Mancuso.

Legal Notice Home Last updated: December 28, 20 22 Site Editor Artur Michalski Address: 7 rue de la Chine Mail: arturmathieu@yahoo.fr Publishing director: Artur Michalski Host Site WIX Wix Online Platforms Limited 1 Grant's Row Dublin 2 D02HX96 Ireland Interpretation The words of which the initial letter is capitalized have meanings defined under the following conditions. The following definitions shall have the same meaning regardless of whether they appear in singular or in plural. Definitions For the purposes of this Disclaimer: "Company" (referred to as either "the Company", "We", "Us" or "Our" in this Disclaimer) refers to Balearic Breakfast. "Service" refers to the Website. "You" means the individual accessing the Service, or the company, or other legal entity on behalf of which such individual is accessing or using the Service, as applicable. "Website" refers to Balearic Breakfast, accessible from www.balearicbreakfast.com Disclaimer The information contained on the Service is for general information purposes only. The Company assumes no responsibility for errors or omissions in the contents of the Service. In no event shall the Company be liable for any special, direct, indirect, consequential, or incidental damages or any damages whatsoever, whether in an action of contract, negligence or other tort, arising out of or in connection with the use of the Service or the contents of the Service. The Company reserves the right to make additions, deletions, or modifications to the contents on the Service at any time without prior notice. The Company does not warrant that the Service is free of viruses or other harmful components. External Links Disclaimer The Service may contain links to external websites that are not provided or maintained by or in any way affiliated with the Company. Please note that the Company does not guarantee the accuracy, relevance, timeliness, or completeness of any information on these external websites. Errors and Omissions Disclaimer The information given by the Service is for general guidance on matters of interest only. Even if the Company takes every precaution to ensure that the content of the Service is both current and accurate, errors can occur. The Company is not responsible for any errors or omissions, or for the results obtained from the use of this information. Intellectual Property Artur Michalski owns the intellectual property rights for the texts that he has produced and published himself and for the images the rights to which have been purchased. Artur Michalski does not claim any other Intellectual Property rights. Views Expressed Disclaimer The Service may contain views and opinions which are those of the authors and do not necessarily reflect the official policy or position of any other author, agency, organization, employer or company. Comments published by users are their sole responsibility and the users will take full responsibility, liability and blame for any libel or litigation that results from something written in or as a direct result of something written in a comment. The Company is not liable for any comment published by users and reserves the right to delete any comment for any reason whatsoever. No Responsibility Disclaimer In no event shall the Company or its suppliers be liable for any special, incidental, indirect, or consequential damages whatsoever arising out of or in connection with your access or use or inability to access or use the Service. "Use at Your Own Risk" Disclaimer All information in the Service is provided "as is", with no guarantee of completeness, accuracy, timeliness or of the results obtained from the use of this information, and without warranty of any kind, express or implied. Applicable Law The present Legal Mentions are under the authority of the national French law. In case of illicit actions, the French Justice Institutions are the only competent ones. Contact Us If you have any questions about this Disclaimer, You can contact Us: By email using the contact form. By visiting this page on our website: https://www.balearicbreakfast.com/contact/

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